PERCEPTION AS DURATION

orientation / movement / inscription

When a work enters a three-dimensional space, it establishes relations between different materials, surfaces, structures, objects, and bodies. Spatial structures establish connections between points, intervals, planes, and volumes, whether through suspension, construction, repetition, or mapping. The grid may become physically present as an arrangement of elements, a measured field, or a volume, while also remaining implicit within the organisation of the space. The viewer moves through these relations rather than facing a single object. Scale shifts; duration becomes physical, and experience becomes embodied.