Paper is the primary site of research. The works are planned and highly constructed, moving between drawing and painting, monotype, and embroidery, while also working with photography and language, among them braille and Morse code. These are not mixed media but distinct drawing processes, each extending and translating the language of drawing into a different material or conceptual condition. Grids, axes, and coordinates establish a controlled structure within which each work develops through the relation between intention, material, and trace.