Limited edition of 10 + 2 Artist Proofs
Fine-art archival pigment print on Canson fine-art paper (310 gsm), printed with Epson UltraChrome Pro12 pigment inks.
Printed in Malmö, Sweden.
Each print is signed by hand and numbered by the artist, and individually packaged and shipped.
Certificate of Authenticity included.
About the work
THE ROME DISCOURSE is a series of watercolour works built on worked background grid systems, positioned within and around intersecting X, Y and Z axes. Informed by Roman fresco techniques, processes and logic, pencil and pigment are integrated into the ground. Colour and residue register duration and material presence.
Circles, coordinates and displaced elements are organised around a central axis. They give the pictorial field its structure without directing interpretation. In select works, photographic transfers of pomegranates sit on the surface or are embedded in the gesso. They act as historical and symbolic, yet deferred, reference points rather than motifs.
The works hold an embodied spatial depth within a two-dimensional surface, where structural research itself carries meaning.
© Camilla Howalt 2026. All rights reserved.
Limited edition of 10 + 2 Artist Proofs
Fine-art archival pigment print on Canson fine-art paper (310 gsm), printed with Epson UltraChrome Pro12 pigment inks.
Printed in Malmö, Sweden.
Each print is signed by hand and numbered by the artist, and individually packaged and shipped.
Certificate of Authenticity included.
About the work
THE ROME DISCOURSE is a series of watercolour works built on worked background grid systems, positioned within and around intersecting X, Y and Z axes. Informed by Roman fresco techniques, processes and logic, pencil and pigment are integrated into the ground. Colour and residue register duration and material presence.
Circles, coordinates and displaced elements are organised around a central axis. They give the pictorial field its structure without directing interpretation. In select works, photographic transfers of pomegranates sit on the surface or are embedded in the gesso. They act as historical and symbolic, yet deferred, reference points rather than motifs.
The works hold an embodied spatial depth within a two-dimensional surface, where structural research itself carries meaning.
© Camilla Howalt 2026. All rights reserved.
