This series operate as a sustained investigation into ownership, authorship, and the construction of subjectivity through borrowed forms. The title itself performs a double movement. "Copyright" invokes legal protection, originality, and claims of possession; "coordinated" invokes geometry, mapping, and systems of relation. Together they suggest that identity is never singular but assembled through coordinates – historical, cultural, and symbolic.

Across the series, images are arranged along a persistent vertical axis. Geometric diagrams occupy the upper register, garments and bodies the centre, while chemical or textual formulations appear below. The works read less as collages than as propositions: systems through which bodies become legible and culture organises itself.